Write Passionately And Prosper by Shan Jeniah Burton

What fires you up? What consumes you? What do you keep coming back to, again and again, in life? What are you passionate about? Do you indulge it, or feel guilty about it? Do you try to avoid it while you’re writing, because youfeel it distracts you from your work?

I used to do that, too. For me, it’s Vulcans, and it probably always will be. I have a deep, abiding passion for them that’s been with me for over three decades, now. There’s something about those green-blooded, pointy-eared beings who wear cool logic as armor over souls filled with intense and sometimes uncontrollable passions that ignites my imagination and utterlyfascinates me.

Yes, I have many other passions, but, again and again, the Vulcans draw me in, compel me, demand – politely, of course – I give them and their stories my attention. For most of my life, I told myself that the fan fiction I wrote wasn’t “real” writing, and that I was “wasting time” when I indulged it. I wrote those stories in notebooks I kept hidden, showing them only to one or two select people, and I ridiculed myself for the time and energy I expended on them.

I was cheating myself.

Only when I decided to take my passion for Vulcans seriously did I move forward as a writer who creates not only Star Trek fan fiction, but also:

  • An original fantasy series, part of a duology with my fanfiction Trek universe;
  • A poetry collection;
  • A series of novellas about life and death at a private no-cost hospice resort;
  • Short stories and flash fiction.
  • Several essays, and nearly a thousand blog posts, so far.

Those are the tangible proof that something shifted when I embraced my Vulcan passion. There are also other, less easily quantified benefits:

  • I’m better at allowing my characters to breathe and live on the page.
  • I understand more about what to say and what to leave unsaid, and the power of the smallest gestures – a swallow, the brush of fingertips, a glance, a sigh…
  • I’ve extended and stretched the way I see myself as a writer and a person, and how my passions feed all of my writing.
  • I come to my writing with a sense of freedom and playfullness inspired by indulging my passions, and I immerse myself in the realities I create.

I used to divide my life into rigid categories. I had a ‘Real Writing’ category, and an ‘Other Stuff I Write But Feel Guilty About’ category. But I’ve come to see that it’s all writing, just as writing is a part of me. Interconnection, interweaving, all swirled and blended together into an ever-shifting whole. Everything I write is Real Writing. There is no “other”. It all feeds each other, and that’s where passions come in.

Loving what I do makes me a better writer.

It’s not because I love Vulcans. It’s because I accept that I love them, revel in my love for them, and give myself permission to write about them, observe them, delve their minds…to let myself sink into all that it is that makes them irresistible to me, and to capture that and offer it to you.

I get more out of indulging my passions than I do out of fighting them. Since I began treating my fascination with writing Trek fanfiction as equally worthy, I’ve allowed myself to indulge in delightful observation of T’Pol and Spock, my two favorite Vulcans (anyone else want to read that as ‘My Favorite Martian’, or is that just me?).

Vulcans aren’t human. Their body language, thought processes, and approach to life are quite different. There is a stillness about them, a lack of the types of exuberant, spontaneous motions we humans tend to engage in. Their usually submergedemotions aren’t nearly as much a factor in their decision making as logic. A small lift of the eyebrow conveys amusement, frustration, surprise…a tiny shift of visual focus to indicate anger, discomfort, evasion…each movement means more, in Vulcans, and, in order to find my stories, I’ve needed to become attentive to those subtle shifts.

Vulcans are also a study in contrasts and unresolved inner conflicts. Writing them requires understanding and conveying the lighting flashes and thunderclaps when they lose their calm and control. When the maelstrom of raw emotion is loosed, they might kill to win a mate; make illogical and self-destructive choices, sob, seduce, scream, or sink silently and rigidly into themselves.

In learning to read Vulcans, to focus on those tiny clues and glaring signs of their inner thoughts, motivations, conflicts, and emotions, I’ve honed skills that make me a better writer no matter what species my characters are.

Because that’s really what’s at the heart of fiction writing – understanding why our characters do what they do, how to read and see into them more deeply, to know what it would be to live within their skins, their minds, their souls, their lives.

It isn’t about Vulcans or Star Trek – not really.

It’s about passion.

Because the best writing is based upon passion. We don’t choose our passions; they happen to us, based on many factors: exposure, interests, personality, needs…By indulging our passions, we’re engaging ourselves more wholly – and isn’t that exactly what we need to do, to be the best writers we can be?

At the beginning of this post, I asked what you are passionate about, and whether you indulged those passions. Now, at the end, I offer up a challenge. If you already indulge your passions without guilt, can you see the ways in which they’ve enhanced your writing? If you don’t, will you find some small space you can give to your passion, freely and joyfully?

You may find that your life – and your writing – will become richer and deeper, if you do. May you, to paraphrase the Vulcans, “Write passionately and prosper.”


Shan Jeniah Burton


Sunday #ROW80 Check-In

August is drawing to a close.  Can’t say I’m upset about that.  It’s been brutal.  As we turn this corner, remember that this is the last 3 weeks of Round 3.  Make ‘em count!

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Midweek #ROW80 Check-In

Well I hope y’all have been surviving the heat wave.  We’ve been wilting here in the Deep South.  But a break in the heat is supposed to be coming in the next couple days for us.  Rain, rain, save us, please.

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Carving Out The Time By Lauralynn Elliott

But I just don’t have TIME to write! I have to do this, and this, and THIS.


These are things I’ve said before. While my house was in CHAOS (Can’t Have Anyone Over Syndrome, ref. flylady.net) and paperwork piled up, you would think I was spending the time writing. But I wasn’t. So what was I doing with all that time I could be writing? Well, here’s what was happening. Since I started doing line editing (proofreading), I got so overwhelmed by it, my mind would shut down and I couldn’t handle anything related to work. So I was playing computer games. I was watching TV. I was messing around with my iPad. It’s amazing how much time can be spent on just those things. The next thing you know, it’s bedtime, the house is still cluttered, and no writing was done. That’s okay. I’ll think about that tomorrow. (I call that Gone with the Wind syndrome.)


So what can we do about our time? Can we add more hours into the day? Um, no, that’s kind of set in stone. Can we slow down the time? Nope. So what can we do? Make the time count. Use the time wisely. Prioritize. I know…this takes discipline, doesn’t it? And our inner rebel doesn’t like discipline. And, being creative people, we are free spirits. Right? But does that get things accomplished? I don’t think so. So I have a few things that I’ve learned, mostly about how to carve out bits of time to do the things that need to get done.


1)      Do the most important things first. That way, if you don’t get around to everything, you’ll know you did what had to be done.

2)      Find little snippets of time to do things. It’s amazing how much you can accomplish in a short period of time. A little during your lunch break. Maybe a bit while dinner is cooking.

3)      Sprint. I’ve learned about this from two different sources. The first one has to do mostly with housework. On http://flylady.net/, she suggests doing housework in increments of 15 minutes. You work that long on one thing, take a break for a little while, then work on something else. FlyLady says you can do anything for 15 minutes. (My husband says you can’t hold your breath that long, LOL.) And then I learned how to do that with writing from Virginia Nelson (http://www.authorvsnelson.com/), a warm and funny lady who writes full time. I’ve taken her class three times, once at Buildin’ the Dream and twice at RNC. To sum it up, you write for 15 minutes (or whatever time works for you), then take a break to do something else (throw a load of laundry in the washer, get a cup of coffee, etc.). While you’re on break, you’re supposed to think about the next scene, then you go back for another 15 minutes and write that scene. Here’s the kicker. You can’t backspace or correct anything during your sprint. Get the words on paper. You can fix them later. This just KILLS my inner editor, but I’ve done it in her class, and it amazes me how many words I can write in 15 minutes (although, some of those words end up looking like words from the language of planet Jupiter). So using these two methods, you can get housework done and get writing done.

4)      Give yourself days off. Treat this like a real work week. I take off Wednesdays and Sundays, and I don’t write or edit on those days. If you don’t get a break, you burn out.

5)      Don’t procrastinate. How many times have we sat down to write, only to get on social media and play around because we don’t want to get started on our manuscript? Stop it. Social media isn’t the priority. See #1.

6)      Reward yourself with games and fun…AFTER you’re done writing. This one is hard for me. I love playing Big Fish games on my computer, and I want to do it RIGHT NOW. But good self-discipline will make me…well, see #1. I’m still working on this.


These are just a few things I had in my head. I’m currently working on two paid editing jobs, and another I’m working on when I can for a friend, and I’m trying to write my own book. I work full time. I NEED to read my own post over and over.


What about you? Do you find yourself needing more time? If so, you’ll need to carve it out from somewhere. Let’s all do what we can to be more productive!


Lauralynn Elliott

Midweek #ROW80 Check-In

It’s the dog days of August and I find myself mentally DRAGGGGGGING.  Sometimes you just have to accept that word count isn’t going to be your measure of productivity.  Have you taken time to refill the well lately?

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On Being A Storyteller by Lisa Lawler

There are many different reasons why writers write, and we have various different goals we hope to achieve through our writing, but what we all have in common is that we are Storytellers. (And Storytellers, it turns out, have quite an eclectic ancestry: Modern storytellers are the descendants of an immense and ancient community of holy people, troubadours, bards, griots, cantadoras, cantors, traveling poets, bums, hags and crazy people. – Clarissa Pinkola Estés. Indeed!)


As long as there have been human beings, there have been stories. Stories are what separate us from the other life forms on our planet and make us human. To some extent, we ARE our stories, because we give meaning to our lives by telling stories that make sense of the past and that reveal our dreams and desires for the future.


As Storytellers, we have many important functions.


Storyteller as Community Builder

People take on the shapes of the songs and the stories that surround them, especially if they don’t have their own song. – Neil Gaiman,Anansi Boys


Our stories have the potential to build connections in a world where, despite all our technological advances, we are cut off from one another in the way that really matters. In stories, we can look at the world through eyes other than our own. Protagonists can live in a different country, different culture, a different time, even a different world.


This ability to step outside our own lives and into another’s ultimately changes us. It expands minds and hearts. It provides an opportunity for building bridges across superficial differences and divisions.


“You have yet to understand, my friends, that the shortest distance between a human being and Truth is a story.” – Anthony de Mello


Storyteller as Teacher

Stories live in your blood and bones, follow the seasons and light candles on the darkest night – every storyteller knows she or he is also a teacher. – Patti Davis


In our stories, we can share our insights into history, not just the dry, boring facts and figures, but what it must have been like to live in those times and in those places. We bring the past to life and we help modern readers to experience it, and, therefore, to remember it.


Not only that, we put forward ideas and values for readers to weigh up and see if they are a good fit as a way to live their own lives.


Storytelling reveals meaning without committing the error of defining it. – Hannah Arendt.


The teaching function of the storyteller is a particularly important one. Our stories are going to touch hearts and minds, and those stories can strengthen and nourish. But stories also have the power to weaken and damage. So a Storyteller is a person of immense influence with a huge responsibility.


The Celtic people, for example, insisted that only the poets could be teachers. Why? I think it is because knowledge that is not passed through the heart is dangerous: it may lack wisdom; it may be a power trip; it may squelch life out of the learners. What if our educational systems were to insist that teachers be poets and storytellers and artists? What transformations would follow? – Mathew Fox


Storyteller as Healer

Stories differ from advice in that, once you get them, they become a fabric of your whole soul. That is why they heal you. – Alice Walker


Sometimes a person needs a story more than food to stay alive. – Barry Lopez


To put it mildly, life isn’t easy. It has its moments of torment and suffering and almost unbearable heartache. As storytellers, we can dig deep into our own sorrows and fears and say, “This happened to me (or to my character) and this is one way to deal with the pain. And if I or my character can do it, you can do it, too. Don’t give up. The world needs you.”


We can heal through humour: what we can laugh at no longer holds power over us.


We can heal by reminding others that nothing lasts forever and that life can get better, that we have it within us to overcome all challenges that face us. Stories can teach us to never give up, and remind us that, as Neil Gaiman put it, “dragons can be beaten”, because whatever does not kill us can serve to make us stronger.


We cannot wish old feelings away nor do spiritual exercises for overcoming them until we have woven a healing story that transforms our previous life’s experience and gives meaning to whatever pain we have endured. – Joan Borysenko


Storyteller as Inspiration

Australian Aborigines say that the big stories – the stories worth telling and retelling, the ones in which you may find the meaning of your life – are forever stalking the right teller, sniffing and tracking like predators hunting their prey in the bush. – Robert Moss


Storytellers have the power to set their readers’ worlds alight, to share new ways of thinking about the world and about who we really are, inside and out. Storytellers place before their readers heroes to emulate, ways to move past difficulty and ways to relate to people.


Stories are hardwired into our brains; they show us how to live, they teach us, they entertain us, certainly, but they also bring us closer together, inspire us, change us, heal us.


So, if we have a story we yearn to share, let us honour it and nurture it, for we never know whose life it may touch and what changes it will bring about.


And that is the power and the magic of being a Storyteller.


I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel. – Maya Angelou (1928-2014)


Lisa Lawler